(Meant for yesterday.)
Morning folks. Whether you have 0 words or 500, if you’ve hit your first roadblock, or the wordcount just isn’t coming as fast as you’d like, it’s time to look at what you’ve got and seeing if you blew through the easy words in your rush to get rolling.
That first hour of writing on a blank canvas can be deceptive; you put down the first stuff that comes into your head and burn through your Big Idea, Premise, and Opening Lines pretty quick. But once the initial framework is on the page, the inevitable ‘Now What?’ comes into play.
If you’re feeling a little uncertain where to go from here, there are two paths you can take today: (insert Phil Keoghan of The Amazing Race impression here): Stall, or Start Walking.
- In Stall, you look back at what you’ve already written yesterday and add some details. Add colors, sounds, smells, extra features, musings, impressions, extra dialogue to give your first characters in their first scene some more depth of focus. For example, this year I started off with a brief sketch of a crime scene, and then pulled back a little to tease at the timeframe — the distant future. I originally described the devastation of an explosion as simply ‘lots of bodies’, but when I doubled back, I added in damage to the building, the parking lot, and then described the era in more detail. I actually described the main character as something more than a gender and ethnic background, and gave the secondary character some more lines so that he wasn’t introduced just to walk off and get coffee for my detective.
- In Start Walking, you want to think ahead to what’s on the horizon,or, to wit, ‘where is your next scene going to take place?’ This is not a one man, one room play you’re writing here, odds on. Whether you’re writing a Hero’s Journey or an Everyman/Everywoman slice of life tale, or a Superhero(ine) Saving the City, they’re not likely to be in the place they were when you wrote on Day 1. Ask yourself, ‘where do I need to get the main character next?’ And start writing towards that direction. Do they need to make any special preparations? (An odd reverse example is Mr. Rogers, who fascinated me as a child by having the odd ritual of changing his shoes while talking to the audience after he came into the house.) Do they tell anyone where they’re going? Will any of the scene 1 characters be coming along, and are they opposed to doing so?
The point is that right now, today, Day 2, you are building potential. Potential energy, potential wordcount, and potential motion, along, of course, with potential plot. Being able to lay tracks ahead of you or buy time to figure out where you want to be is still wordcount; the goal here is to breathe life into your novel by giving it enough detail and brea(d)th so that you want to keep writing in this space.
Eventually we’ll be setting things on fire (not necessarily literally) and maybe blowing stuff up, but it doesn’t have to be today. Days 1 and 2 for me are usually reserved for either detailed worldbuilding, or meeting the main character, or setting up the stage where the main character will walk into any moment. Or any combination of the three.
Hope this helps, and feel free to suggest a topic for a future guest post….