During a fiction writing class, our professor gave us a sheet of words. It was titled, ‘Words all Writers Should Avoid Using.’
The other week, I was given another web page that was basically a full on rant about several different words that are used too often and should never be used. There were 5-10 words on the list.
My only problem with this is that each list is almost completely different. Some words are shared throughout– almost (hah), suddenly, nearly, really/very, like– considered weak and detrimental to the piece. Though I try to take each of these seriously and understand the reasoning for all of what I see, plenty of the words listed seem as a matter of opinion.
Of course, then you run into weak words versus strong words. There’s the old speech that Robin Williams gives in Dead Poets Society, proclaiming that the word ‘very’ is lazy, and encouraging them to use other words to describe it, because there are an abundant amount more than just the single word. To which, I will agree with this; there are words that are plain weak and water down the writing when used, but finding words that sound more beautiful in the stead of those is about more than just looking in the thesaurus. It’s about changing your language entirely.
The boulder was heavy in his palms.
Simple as it is, can be changed to…
The weight of the boulder was bearing down on him.
In another example, I’ll take my sentence from earlier.
It’s almost completely different…
each is totally different, save for some choices…
Substituting words can only go so far, so it becomes a challenge to make the language and sound more diverse, intriguing, capturing.
Which reminds me of a challenge issued by Chuck Palahniuk, to depart with all “thought” verbs, not to show that a character is thinking. So no, “wonders,” “muses,” “considers,” etc. And to keep up with it for six months. Though I still find it a bit daft, I like the difficulty it presents. It forces you to think of other ways to go about showing what you want to say about what’s in the character’s head, or to forgo it.
We want our words, our content, to be as strong as possible. The more we challenge ourselves to be more fluid and diverse in what we have to say or how we say it, the sharper we find ourselves.
I wanted to show some of the sites that I mentioned. Though there are many more of them, here are a few examples:
Weak words, those that are vague and provide little to nothing about what you mean or are referring to, should, by all means, be cast out at any and every opportunity. When faced with “things,” “something,” and “stuff,” try to be precise. Being specific is the difference between strong language and a flaky one. It is also, as one of those sites suggested, a way to show confidence in your writing.
-The Novice Wordsmith