Monthly Archives: April 2015

Boston versus Camp

If you’ve been following this blog for a while, or even for a little bit, you already know that I have a relationship between running and writing. I’m in love with both, and I see parallels in both quite frequently.

So it should come as no surprise that I’m drawing another parallel, one between the biggest US marathon and a smaller, less stressful month of writing. Both, this year and last, have happened within the same time, with one Camp month of two falling on April. Boston has annually been in April.

This parallel is brought to you by my camp cabin. It had come to me while I was reading about the winners of the marathon, and the times of each. Men are obviously up ahead of women by at least 15 minutes because of natural physiology. Depending on ethnicity, physiology also plays a huge role in how fast a runner is and how much endurance they have. There are a lot of factors that go into what makes that person win, including what they eat, their previous injuries and recovery, and their style of running. Genetics can also have a massive effect on things like endurance, recovery time, and and speed.

Though pace is less important in writing, depending, there is still an instinctual stakeout that I do of the top writers, those who have gotten the furthest in the month. I may not have been able to write as early as others in the cabin, but consistently, I was ahead of the pack.

If you don’t know, Camp NaNoWriMo has a feature that allows you to “bunk” was 11 other writers in a cabin, to help push you through the month and influence and inspire you. That is the charm of camp, it’s not just you, there’s more with you trying to achieve goals unique to themselves and their writing. Both Friend and I are a bit competitive and definitely ambitious, and seeing others up where our wordcounts were made us want to surge forward.

Being toe to toe with others in a race not only helps you push yourself, but it helps you understand what you’re capable of. Sometimes, you’re going to push too hard and fall out of the pack. The pace is going to get more than what you can handle with everyone else, too much for you to sustain.

Other times, you’re going to be the one setting the pace, and it’ll pull you ahead of everyone else by a longshot or a short one.

I have had very little competition this month so far in terms of wordcount. The closest behind me is 13k short of catching me. I am going to probably break 50k by the end of the month when my goal was 35k and I hit that on Thursday.

This morning, while reading the live tweets of the Boston Marathon, after the women’s winner was announced, I found out that her last time in the race was 2012, and she didn’t finish. This time, she surged ahead in a sprint to win it.

I know it’s ridiculous to compare, but it made me think of struggling through November, how difficult it was for me to finish that novel and do it well or do it any justice. How worried I was about my work and progress. I limped out of November 4k above the goal, and had even stopped writing two to three days before it ended.

Camp is different. Six months later, I’m above my goal and searching more to finish the small novel instead of stopping just because I got where I need to.

Writing, unlike running races, doesn’t stop when you break the tape at the end. It stops when you say it does, when you’re satisfied. In the case of NaNoWriMo and the Camp series that they have, the end of the event may serve as simply a checkpoint for some of us, depending on just how big the story is. Writers have a race to run that takes much longer than two hours and nine or twenty-four minutes, but ours can be taken as slowly as we need to, and with as many people as we want to involve.

In the mean time, I think I’ll grin at my early victory and hope this November goes a whole hell of a lot better than the last one. My training for it should be fairly simple. 😉

– The Novice Wordsmith

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Exposure

Something happens every time I join a website or start a writing project: I start to think about getting my work out there. Sharing more often, submitting it to places, finding a way to get it out there. There’s something about seeing other people succeed in getting the interest of others, and the quality writing all around, that makes me want to do more and go farther.

Then, rejection happens, or I realize that I’m not half as popular as I thought I would be, or as others. That I’m just sort of another cogwheel in the great scheme of things that gets overlooked because my work is hardly different or groundbreaking.

It is, however, my work. My sentence structure, how I write, the language I use, the tones and the feel of everything I go through in passages, that’s mine. That is unique to every writer, it’s something you seek out in an author. To be able to so easily dive into the book and its atmosphere and the protagonist and their troubles, to be in another world, whether it’s wildly out of this galaxy, or it has few differences.

There are many ways to get your work out in the world, depending on what it is you write. Websites and anthologies seek people to write anything from erotica to horror, fan fiction, non fiction, and news.

Last year, Friend and I submitted works to Crossed Genres web magazine, that specializes in minority characters and settings as the mains in non-stereotypical fashion. Another friend had gotten into freelance journalism for a major website. I was shown a website that was a database for erotica, where someone had written a 40+ chapter story and was still going. Forums exist for the purpose of sharing your writing an collaborating with others.

There will always be a way for you to showcase your art, so to speak. The real question is if that’s something you want to do.

A common reiteration is that you can still make money off of your writing. You can make it free and accessible, or you can go through self publishing, or even finding a publisher to take you on.  Whether it’s a buck a book, that can be anywhere from 5,000 to 25,000 words, or up to four dollars for a full novel, there’s a market to be taken advantage of.

Anthologies and web magazines, in my limited experience, have also paid for the work they use of yours. Crossed Genres offered six cents a word, I believe, and for any novels that they decided to take on, 6,000 for the entire thing.

Whether you’re paid for the work or not, the outcome is roughly the same: people see your talent. One is guaranteed to reach more people than the other. For free work, you can be lost in the stacks with hundreds of others. With work you’re paid for, you’re up at the front of the line.

Exposure comes in many flavors. Through the years, I have only felt like writing prose, and novels, fiction, have been harder to get recognition with than painting or drawing, because of the average attention span. If they see something they like in a glimpse, it’s easier, but making someone sit down for anything a hundred words or longer can be a task.

Which is why a thesis or grabbing statement can be so important. You’re tasked with making it as interesting as possible to hook them in and then the rest will follow.

Even something so much as this blog, which was made expressly to get my knowledge out while maybe getting some to see my talent for writing, is dependent a lot on an excerpt, typically right at the top of the post.

In the same vein, somewhat, is having a Twitter account, and getting into social media as a writer. According to a shortlived friend I had who was also an author, having a presence in social media helps your chances with publishers, because they see that you already have a bit of a following.

It can be tricky. I started this blog expecting not much, but even a small gathering of people who decide they like my stuff enough to follow me is a great accomplishment, honor, and flattery. I know I write well, but to write something that people like is a great feat, just as well. My track record for people liking my work, or what I have to say, or what I do, has been shoddy, so I usually end up expecting very little, and when trying new ways of getting it seen,  discouragement follows frequently.

It seems more likely, considering that, that I’ll end up like many others: only a couple thousand copies sold and then promptly dropped by the publisher.

That isn’t to say you shouldn’t try, of course. It’s always going to be worth it, but it’s easier to go in with the understanding that the road ahead will not be easy and to brace yourself for the bumps, however many or few they are.

– The Novice Wordsmith

(PS: Happy Easter for those celebrating!)