Tag Archives: provocative

Pick Brains, not Noses

Friends come and go, but profound websites that make you pause and read are forever.

One of my favorite websites these days has became brainpickings.org, which is choc full of all kinds of wisdom and from all over the spectrum of brilliance. From Franz Kafka’s heartbreaking and powerful letter to his narcissistic father, to a rare conversation between Margaret Mead and James Baldwin in a “rap on race,” that spans guilt and psychology and everything in between, this website has a plethora of food for thought to sink your teeth into.

Maria Popova, all on her own, brings to life some smaller, more private, intimate thoughts and details of the lives of the great artists and thinkers of all time. And, in my opinion, she does it so wonderfully.

No, I’m not being paid to talk about this, but I am definitely an advocate for some of the most beautiful things I’ve seen in the past year and change. Learning things about writers who are widely known in one regard, which turns your head in the other direction, or pieces as provocative as the day is long. It’s become something I look forward to, every Sunday morning, something to help me forget the time or wind the long days down. Some things provide wisdom I didn’t know I needed to see so badly.

Really, I felt like sharing. If you’re into that kind of thing, check it out, grab a cup of tea and explore. Some of these pieces are bound to be long, but are well worth it.

-The Novice Wordsmith

The Melody that Carries the Story

Music and story-telling go together like wine and cheese. You can have one without the other, but putting them together makes for a delicious pairing.

It’s something you grow up with, mostly in movies, but have you ever been in the car, listening to the radio, or at a friend’s house, listening to one of their obscure CDs, and paused. “That’s brilliant!” maybe crossed your mind to say, because you couldn’t help but watch your mind explode with the images and scenes the concerto or the beat or the harmony of the singer’s voice was giving you.

“Writing for the music,” is a phrase that came up recently, and it’s a good way to describe it. When you hear the song and you get inspired to write a sex scene or a horror scene or a fight scene. Then, when the song is over, or the initial inspiration dries up, it’s over and gone and that’s all it takes, if you don’t get it out sooner.

It’s something I’m fighting with writing horror for November, because I always wrote for the song that I was listening to, which was dirty and dark, and, in the end, had no real purchase or true emotion to it. When I looked back at it later, it sounded hokey and wrong, nothing felt stable.

Then there are the songs that don’t overwhelm you temporarily like that, that strike on a deeper level and get your brain running in a different direction. It’s like the background music for a scene you can see clearly, and it only enhances it more, plus, instead of being fleeting, it’s always there like a good memory. The song instead reminds you of something, it makes you think instead of pulling you under with a burst of sound and sight.

On the other hand, music can tend to be a nuisance for those who don’t care for noise. Nothing sounds better than shutting the door and getting so much quiet that your thoughts are louder than your surroundings.

Then there are those who thrive with it. Who derive their focus and their motivation from a peculiar or particular song, something that catches their ear and helps them follow along. Having a melody in the background can improve attentiveness, the beat giving them something to focus on with their typing or writing.

It sets a mood, for the scene, and when it’s not what you’re writing for, it’s what you’re writing to, helping you feel the sensuality or the adrenaline or the cool air of the mountain.

Music can help you establish the mood and atmosphere, to better pull in the reader if you do it correctly. Trying to describe the feeling you have for the scene, using descriptive words that bring them right into the room or onto the cliff side or at the gala. It adds to the tools you can use to enrich the story.

It’s as useful a tool as any research or little bits of information that you want to implement.

As long as it’s not a bother to your writing, that is. Or somehow you hate music. Which, I don’t think I’ve found a person who does. There’s just a time and a place for everyone to enjoy it.

Another thing about music for me had been, through the years of roleplay, where friends would talk about the theme songs for their characters, based on songs they loved or the lyrics specifically, or maybe just the way it sounds. Have you ever had a song that just clicks for a character or a set of characters?

It’s such a wide thing to explore, where the possibilities seem endless. The same songs that help motivate you in physical activity (running, swimming, boxing, etc.), can help push along a thought or an idea that sparked as a result or before then.

All of this reminds me of something I’d heard back in “The Enjoyment of Music” in college. The Doctrine of Affections was something written in the Baroque period, a theory that music can evoke emotions involuntarily (Source). Which, to me, makes sense, especially looking back at it. It makes you feel something, a slow, deep tune makes you sad, and a high pitched, fast song makes you want to dance. Harder songs make you want to thrash, typically.

It lends to writing and action or lack thereof, and to what goes on around us, the visual and the audio and the taste and touch and smell. It holds on and doesn’t let go until the song is over. It’s why we need to hear it again, because it’s so provocative in its own way. To listen, over and over until we finally have everything that it’s given us down in a story or a chapter, in a character and their mannerisms, in the landscape, or the scene.

Music is as much a part of writing as it is a part of us, and I wouldn’t change a thing about it. Would you?