Tag Archives: work ethic

Exposure

Something happens every time I join a website or start a writing project: I start to think about getting my work out there. Sharing more often, submitting it to places, finding a way to get it out there. There’s something about seeing other people succeed in getting the interest of others, and the quality writing all around, that makes me want to do more and go farther.

Then, rejection happens, or I realize that I’m not half as popular as I thought I would be, or as others. That I’m just sort of another cogwheel in the great scheme of things that gets overlooked because my work is hardly different or groundbreaking.

It is, however, my work. My sentence structure, how I write, the language I use, the tones and the feel of everything I go through in passages, that’s mine. That is unique to every writer, it’s something you seek out in an author. To be able to so easily dive into the book and its atmosphere and the protagonist and their troubles, to be in another world, whether it’s wildly out of this galaxy, or it has few differences.

There are many ways to get your work out in the world, depending on what it is you write. Websites and anthologies seek people to write anything from erotica to horror, fan fiction, non fiction, and news.

Last year, Friend and I submitted works to Crossed Genres web magazine, that specializes in minority characters and settings as the mains in non-stereotypical fashion. Another friend had gotten into freelance journalism for a major website. I was shown a website that was a database for erotica, where someone had written a 40+ chapter story and was still going. Forums exist for the purpose of sharing your writing an collaborating with others.

There will always be a way for you to showcase your art, so to speak. The real question is if that’s something you want to do.

A common reiteration is that you can still make money off of your writing. You can make it free and accessible, or you can go through self publishing, or even finding a publisher to take you on.  Whether it’s a buck a book, that can be anywhere from 5,000 to 25,000 words, or up to four dollars for a full novel, there’s a market to be taken advantage of.

Anthologies and web magazines, in my limited experience, have also paid for the work they use of yours. Crossed Genres offered six cents a word, I believe, and for any novels that they decided to take on, 6,000 for the entire thing.

Whether you’re paid for the work or not, the outcome is roughly the same: people see your talent. One is guaranteed to reach more people than the other. For free work, you can be lost in the stacks with hundreds of others. With work you’re paid for, you’re up at the front of the line.

Exposure comes in many flavors. Through the years, I have only felt like writing prose, and novels, fiction, have been harder to get recognition with than painting or drawing, because of the average attention span. If they see something they like in a glimpse, it’s easier, but making someone sit down for anything a hundred words or longer can be a task.

Which is why a thesis or grabbing statement can be so important. You’re tasked with making it as interesting as possible to hook them in and then the rest will follow.

Even something so much as this blog, which was made expressly to get my knowledge out while maybe getting some to see my talent for writing, is dependent a lot on an excerpt, typically right at the top of the post.

In the same vein, somewhat, is having a Twitter account, and getting into social media as a writer. According to a shortlived friend I had who was also an author, having a presence in social media helps your chances with publishers, because they see that you already have a bit of a following.

It can be tricky. I started this blog expecting not much, but even a small gathering of people who decide they like my stuff enough to follow me is a great accomplishment, honor, and flattery. I know I write well, but to write something that people like is a great feat, just as well. My track record for people liking my work, or what I have to say, or what I do, has been shoddy, so I usually end up expecting very little, and when trying new ways of getting it seen,  discouragement follows frequently.

It seems more likely, considering that, that I’ll end up like many others: only a couple thousand copies sold and then promptly dropped by the publisher.

That isn’t to say you shouldn’t try, of course. It’s always going to be worth it, but it’s easier to go in with the understanding that the road ahead will not be easy and to brace yourself for the bumps, however many or few they are.

– The Novice Wordsmith

(PS: Happy Easter for those celebrating!)

Taking Advice, or the Difference Between Writers and Non-Writers

Just as there are blogs and posts and pictures and near anything else dedicated to “Tips for Writing” there are as many out there about doing it wrong, what not to do, and generally what to avoid. While nothing is wrong with these, it can be if the person has had no previous experience in what they’re talking about, instead just passing the word.

The best word comes from someone who knows what it means, both through experience and observance.

I was reminded recently of a former friend who, after I had finished November last year, took to badgering me about finishing my work. On several occasions, I got messages with the caps lock on telling me to get to it already. Pushed and bullied, I felt the stress of having to complete something under someone else’s watch, but I never let him force me to do things.

One of the biggest reasons I didn’t take his words to heart  was because he wasn’t a writer like I am. He wrote journals every so often, and mostly he wrote about science fact, but on very rare occasion, he would write about something that related to his situation. Depressing, rather awful tales, that he wouldn’t touch after getting them finished. Which, I won’t judge: if that’s what he felt most like writing, more power to him, that’s fine.

… But when it comes to policing someone on what they should be writing and when, it is a lot better if you know by some experience what they’re going through before you cast judgement or forcefulness. Not that either of those are acceptable to do, either, because everyone goes at their own pace, not yours.

Fiction writers know fiction writers. It’s going to take some time, whether a small amount or a large amount, and we’re all different. We have good days where we can write chapter upon chapter and revise several and then move on to the next and further into our story. Then we have stretches of days or weeks where we just can’t get into things where they’re at (which, if that’s the case, try changing things up with how you see them at that moment).

If anyone is going to pressure you, it should be yourself, but not to a breaking point, and certainly not making you feel like trash until you do it. To make progress, you need to have some kind of confidence in yourself, to feel like you’re making headway instead of just doing something you should have done. While pressure and negativity work to help motivate some, it is not always the case for others.

Really, too, if you’re writing something for yourself, it shouldn’t have a damn lick of pressure to it. It’s yours. This is your story. You write when and how you like.

Your ideas for publishing, too, are your own. Don’t let someone deter you from doing what you want because they “think” that they have a better idea of how to go about it. There have been plenty of singular books published as a first publication of a first time author, the same as there’s been the first in a series, or the first in a trilogy.

I guess part of this I’m writing for myself. After months of being pushed around and chewed on like I don’t know what I’m doing, I want to do my best to prevent it from happening to anyone else. Thankfully, this person no longer corrupts my daily life, but he left a lasting impression that I don’t care for. Not that I really took any of his “lessons” to heart (I have Friend for that, I trust him more), but I still listened to what he had to say.

What bothered me most about him was that he kept shoveling advice at me that I didn’t ask for. “Publish this first,” “work on this, I want to see it, I want to edit, let me edit for you,” “You do too much of this, you shouldn’t,” “don’t do this,” “why would you do that?” “Why don’t you take out the parts you worked on with this person and work on it with me instead?”

Not only did I not ask for it, but from someone who didn’t write like I did, who had no aspirations to do such or even to publish himself, he found himself qualified because he had heard from others who did. A non-writer telling me that I was taking too long was exactly the way to make me want to scream.

I have trust issues with people who dispense unsolicited advice. Even more so when they’re not qualified to give it.

Whatever it is that you decide to do, do it on your terms, do it because you want to. Writing the book is going to take time, series writers can sometimes take years to bring about another book, and getting published can range from fairly easy to ‘holy shit, is this ever going to happen?’ Read advice from people who write what you write. Who know the endless worlds that you get into, who have seen what you want to see. Learn from their experience, not someone who has a lack of it.

– The Novice Wordsmith

( I guess on that note I have some room to talk, but as a writer, I like to think I have some license to it. )